Materials
We believe the character of an object begins with the material itself.
We work primarily with horse culatta, a dense and highly individual leather taken from the rump of the horse. Scars, calluses, variations in grain and marks from the animal’s life remain visible rather than being concealed. No two sections are the same, and every cut presents its own set of characteristics to work around.
We do not see these marks as imperfections to be corrected. They are part of the material’s history, and we build our pieces around them.
Much of our work is constructed by hand, from cutting and shaping to stitching and finishing. Saddle stitching, scar stitching, hand-applied details and unconventional construction methods are used not only for function and durability, but as part of the visual language of each piece.
The process is deliberately slow.
We do not aim to make every piece perfectly identical. The subtle differences created by the material, the process and the hands of the maker are what give each object its identity.